Episode 53 - Beloved Sisters

Beloved Sisters (2014) 

www.imdb.com/title/tt2790236/ - Internet Movie Data Base
www.tvguide.com/movies/beloved-sisters/2030095814/ - Where To Stream
https://amzn.to/3QbbSi4 - Amazon 

Beloved Sisters is a German biographical film based on the life of the German poet Friedrich Schiller and two sisters, Caroline and Charlotte von Lengefeld.  Netflix says:

"In the late 18th century, sisters Charlotte and Caroline begin an unconventional romance with poet Fridrich Schiller, who cares deeply for them both.  As their situation evolves, each sister finds her life altered in ways she never imagined possible."

I have not looked at my Netflix DVD queue in years, so I have no idea how this movie got in my queue.  I suspect it was a Netflix recommendation based on other similar films I added to the queue.  So I had no expectations whatsoever about this film.  I did not know it was in German, I did not know it was biographical, I did not know it was a period piece.

I admit that my tastes trend towards "pedestrian".  When it comes to foreign cinema, I tend to either love it or hate it, with far more in the latter category.  This one, however, I found myself drawn in, way before I looked it up and discovered that it had a few accolades to its name.

Was it polyamorous?  Yes?  I'm going to say "yes", but it was not in any modern sense of the word.  It's possible, given how restrictive mores against non-monogamy altered the shape of relationships in previous eras, that it would not be considered polyamorous at the time, but "normal".  Period pieces are hard to evaluate for this reason.

The definitions of love, of romance, of relationships, all are different in different times and different places.  The bonds between women in such highly patriarchal societies tend to be strong, and more common than today's more liberal cultures.  Physical affection is different.  Hell, even men were, for a time, expected to provide for their wives but save their love and affection for their platonic male friends and their passion for their mistresses.  So the bond among these three characters may not have been the norm, necessarily, but would it have been so "unconventional", as per the description, as to have warranted its own term like polyamory?  Maybe?

Charlotte and Caroline lost their father at a young age, and were raised by their mother, who was widowed from a rare love marriage.  Caroline was talked into a marriage of convenience to save the family from destitution, but the mother openly regretted the necessity.  All three of them willingly agreed to the arrangement out of love for each other, with Caroline taking on the responsibility without guile or resentment.

As children, the sisters pledged their deep devotion to always remain together, to share everything, and they lived by that oath.  Charlotte was sent to the big city to be presented at Court in the hopes of winning herself a wealthy husband as well, but she met a poor poet instead.

As per the modesty mores of the time, Charlotte and Fritz, as he was called, were chaperoned by her respectably married sister.  Because of their deep bond to each other and the considerable amount of time spent with Fritz, both young women fell in love, and he fell in love with both women.  

Caroline's marriage had to be worked around, so they devised a plan:  Charlotte would be sent back to the big city where Fritz could court her under the watchful eye of her godmother and Society, Caroline would stay with her husband to work on changing their mother's mind about allowing Charlotte to marry for love instead of money while somehow procuring a divorce for herself.  Caroline sent Fritz away after a one-night-stand, and the three of them continued their scheming and plotting to live happily ever after.

Eventually Charlotte was given permission to marry Fritz as he finally started to achieve some success in his career and Caroline celebrated their union.  Eventually, the couple went on their way while Caroline remained behind once again, visiting some months later.  This is when she learned that the couple had not consummated their marriage out of Charlotte's sense of duty and concern for her sister not being able to "share" Fritz fully with the marriage between them.

Caroline urged Charlotte into her husband's bed and slipped out in the night to disappear for several years, except for another one-night-stand at some point when they ran into each other, this one kept a secret from Charlotte.

Eventually Charlotte became pregnant and was reaquainted with her sister, who was now traveling in the company of some wealthy man and hoping to begin writing a novel.  She moved into the couple's house and midwifed her sister's birth and the early care of her new nephew while writing under her brother-in-law's tutelage.

Fritz begged Caroline to finish up the rest of the plan so that the 3 of them could return to his hometown and live as a threesome, but Caroline seemed to get progressively more and more bitter with the knowledge of their betrayal and her recent life choices, including some upper class prostitution with her wealthy and famous traveling companion.  Charlotte grew more and more resentful of Caroline's behaviour and at some point discovered her and Fritz's one-night-stand.  This drove a wedge between the sisters.

So when Caroline announced that she was pregnant, didn't know which of the very many men she had been with recently was the father, and that the knowledge of the baby would almost certainly prevent her husband from finally allowing her a divorce, Fritz arranged for a country preacher to hide the birth and care for the baby until the divorce was finalized.

So Caroline set out across the country with the man who introduced the sisters to Fritz, her cousin and one of Fritz' closest friends, as her guardian and protector on the trip.  Here, Caroline stops writing and the couple loses contact with her until she finally writes them a very perfunctory wedding announcement between herself and Fritz' best friend.

Many more years pass, more kids are born, finally their mother insists on the sisters' reconciliation before her impending death.  During this rather morbid family reunion where the mother gets her material affairs in order, the sisters finally have a confrontation, each accusing the other of being responsible for their separation.  Until Fritz nearly succumbed to the latest fit from a chronic respiratory illness, whereupon waking, he finds both sisters sitting in shadows, like bookends, at the foot of the bed.

Caroline wrote Fritz's first biography and the only biography written by someone in his inner circle.  This biography has none of this ménage à trois, as their own mother called it at one point.  It has been debated just how close everyone was to each other, but this movie makes it clear that they were definitely a romantic triad, although the sisters did not share any sexual contact with each other.  

This triad was portrayed as both women equally loving the same man and he loving them both equally, and all three openly dreaming and planning with each other to live as a triad someday.  I'm going to say that, although this dream was never realized in this film, and in fact the relationship between the sisters was strained so far at the end that they inevitably parted as two independent couples, that this film nevertheless showed us a functioning triad, kept apart by external forces strong enough to poison the relationships.

Both women had a loving and sexual relationship with the man in the middle, both of them were not only aware of each other's feelings but actively encouraged and supported each other (with the exception of the secret, for which it was the secretive part that made the act a betrayal, not the sexual act itself), and the man openly (within the three of them) loved both of the women.  They shared a secret language and written code, where they wrote out their plans and dreams, and we saw both honesty within the group and also how secrecy creates tension and breaks bonds.

And all of this was set against a beautifully shot historical drama of revolution and class warfare and the patriarchal segregation of the genders.  One of the final scenes includes a short but insightful monologue of something that I believe a lot of progressives talk about today - how the real family bonds and the strength of the family comes from the women and the work they do to maintain connections, and how this strong connection may have been what drew Fritz in from the beginning - the sisters and the mother were the real triad, and the intense bond among women was the beacon of family that Fritz had always longed for, so when they allowed him into their inner circle, he was able to feel a connection that is out of reach for most men because that is not how they relate to each other.

And that connection among women, once broken, was also responsible for his later isolation and exclusion, because the bonds belong to the women, they merely allowed him along for the ride for part of the time.

I really enjoyed this film.  It was a drama but it wasn't as heavy as a lot of other dramas I've reviewed.  It showed a triad, and even though it did not last, it was not destroyed by bad writing and morality punishments, but rather by the pressures of the culture that can stress any non-normative relationship.  

And we saw a fair amount of narrative history that I didn't even bring up because it was less relative to the plot than being a backdrop for it - the French Revolution, the beginning of the Weimar Classicism literary and cultural movement, a significant improvement to the printing press that enabled literacy among the masses, and the spread of classical ideas such as the importance of truth in history, of philosophy, of aesthetics, and other elements of the Enlightenment.

If you're up for a historical narrative biography with subtitles, give this one a chance.